this was the front door on Christmas after we cleared the walk.

This was taken as i walked into the gym – from where the car got stuck.

And this was in the Fargo paper today.

I was planning on much more being completed by now but had to pause the sex club effort to do a mega job for a mega company (which I’ll be back on from mid Jan – mid May) and then was asked to design an opera (opens Jan 23 in Long Beach) – which I’m completely absorbed in right now. But in between the two i designed the club’s condom and lube packets.

The condoms aren’t in yet because they must go through FDA approval (yes even if only the packaging changed). In designing them i looked at automotive product packaging and the masculine simplicity of generic IKEA-like labeling. Once inside the club i try to avoid text as much as possible and switch to using icons instead – like a big drip shape to indicate “lube,” because reading is is a forced mental process but image recognition is part of our animal nature – and when you’re in a sex club u r definitely getting in touch with your primal state.

The auto-body shop inspired entry is almost done. It still needs the new light fixtures and a few other elements. I wanted to beat it up and distress it but i can’t bring myself to do it yet. Maybe by may it will have happened naturally.

O and this is why i’m not blogging much – BECAUSE I’M DESIGNING 3 JOBS. Sex club, opera, and this other big secret gig. And while doing all that i’m trying to get Obscene Interiors II to happen, launch a zine, plan another major gallery event/show/party for late summer/fall, and find a publisher for another book project. My bathroom hasn’t been cleaned in months and i’ve discovered Fabreze works when you don’t have time to do the laundry.

I’m also looking for graphic designers (especially with dimensional and/or way-finding understanding), set designers,  3-d modelers/CAD/sketch up, and a lighting designer. And when i say graphic designer I don’t mean someone who laid out their church picnic brochure. I mean a designer with FLAIR and DRAMA who also understands it’s a sin to stretch a font in Photoshop.

Ok so that’s the deal. I’ll continue to post when i can find the energy to stare at my computer for yet ANOTHER hour. But as long as no other dream jobs land on me i’ll be spending May-September 2010 creating my OWN awesomeness for your viewing pleasure. Omg i’m so exhausted most days i just want to cry.

i’m hopping on Luke Nero’s back and we’re both having our birthdays at his club Mr Black Tues Dec 15 here.

The Good Soldier Schweik for Long Beach Opera – It’s a comedy, in English, based on a Czech novel about the start of WWI – if any of that interests you. There is also a scene with 5 guys in a bed together getting enemas. Maybe i should have gone with that for the poster image. There’s only 2 performances, each in a different theater, the first one being far superior I think – Get Tix here if u want.

Kent Anderson Butler’s “Chic” spotted today at Carl Berg Projects at the Pacific Design Center.

o and my patent leather poinsettia accented chapeau was an early design from David of the XXX-rated House of Vader created especially for my giganto aerodynamic melon head.

A few years ago I was asked to design some concepts to fill this large atrium space in a mall in Jakarta called “FX”. None of my concepts were realized except for this slide, which was entirely inspired by the slides Carsten Holler did at the Tate in 2006 – something the client specifically requested – only flashier! Which is good because it bothers me when clients want me to do a rip-off of some artist’s work – I just tell them to hire that artist, then they’d get the bonus PR angle of having a “name” artist’s work in their space. But apparently clients assume “name” artists would be difficult to work with, unlike nameless wrists-for-hire like myself.

So here’s one of my renderings, and what what actually built – plus video of Asians flying out the end of it, skidding across the floor. I’m told “Atmosfear” is now the longest slide in the world (being the Tate ones were temporary), and that it’s wildly popular, and makes the mall a ton of money because you have to buy $10 worth of something to get a ticket to ride it.

And bonus! – they were 50% off – hello sold! Now i have something to wear when i step out of my chrome Lamborghini in my future car fantasies.