The solution i found was to illustrate in negative color and then make color copies using the “negative” setting. This resulted in super-dark blacks and great saturated color. To help, i made an inverse color guide showing what each Prismacolor lead would look like when reversed. But boy using photoshop would have been a lot easier.

Also, this is probably my last post.

IdN™ Creators® — Pandayoghurt — Douglas Bowden (London, UK).

http://www.moving-locations.de/

HA! – i just found this online – this is part of a HUGE mall in China I worked on – I chose almost all the exterior colors and materials for the entire project. (I’ve actually done like 3 malls in China I think, and a couple casino resorts.) The blue, teal, and green you see below were always big questions. I never thought they’d do them. Blues are VERY tricky architecturally, it must seem mineral-based to work in my opinion – but i see they did my blue columns and even the teal and chartreuse walls behind and they do look great. I never go to the field on these jobs – i just do it all from my apt and then years later, like now, happen upon some pics online and get to see how it turned out.

I think it’s funny how people roaming around this place would never guess all the colors they’re seeing were chosen by some guy sitting on the floor of his tiny apartment sifting through all these color chips on the carpet as the cat walks through them.

twistedlamb.

Producers always say “Come on, do this movie! It’ll be fun — you’ll have a great time!” … It’s not fun. It’s passionate. It’s serious. It’s infuriating when you find your own limitations, knocking your head against the wall — which I did a lot on this one. I mean, “Inception” wasn’t easy. There was nothing casual about it.

via A dream job: Hans Zimmer and the music of ‘Inception’ | Seattle Times Newspaper.

listen